Location
Discipline
Expertise
Melbourne , Australia
Spatial Design Experimentation
Material Exploration, Interior Concept
The study focuses on the relationship between body, surface, and space, where distortion becomes a design method for testing atmosphere, form, and interior possibility.
FABRIC BECOMES A DEVICE FOR SPATIAL DISTORTION.
The project begins with a series of material experiments, using fabric to test how tension and pressure can transform a flat surface into a spatial condition. Each gesture, whether pulled, folded, stretched, or suspended, reveals a different way of forming enclosure and movement.
Rather than designing from a fixed plan, the process allows form to emerge through physical manipulation, making distortion both a method of making and a way of thinking.
Between softness, tension and form.
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The fabric studies create a dialogue between softness and structure. As the material is held under tension, it begins to define edges, thresholds, and pockets of space, suggesting how an interior can be shaped through force rather than mass.
This process shifts the focus from object-making to spatial behaviour, where the material records movement, pressure, and resistance.
FROM FABRIC EXPERIMENTS TO FURNITURE FORM
Fabric becomes more than a material reference; it becomes a method for shaping furniture, surface, and spatial atmosphere.
The furniture series translates earlier fabric experiments into objects of seating, support, and surface. Distorted folds, stretched tension, and compressed softness are reinterpreted through the form of chairs, tables, and interior elements.
Rather than treating furniture as fixed objects, the project explores them as spatial fragments, where material behaviour, body contact, and visual distortion come together to shape a tactile interior language.
. Rather than treating furniture as fixed objects, the project explores them as spatial fragments, where material behaviour, body contact, and visual distortion come together to shape a tactile interior language.